Fireworks Wednesday (2006) movie reviews & Metacritic score: On the last Wednesday before the spring solstice ushers in the Persian New Year, people set off fireworks following an ancient Zoroastrian tradition. With gripping, tightly structured screenplay covering themes of marriage, lies, deception, and infidelity, superbly shot and brilliantly directed with so much depth and nuances to bring the most impressive performances out of its cast, 'Fireworks Wednesday' is another testament to Asghar Farhadi as a … Fireworks Wednesday (2006; Asghar Farhadi) GRADE: B By Daniel Barnes. Nervous editing and sinuous cinematography also give the impression that Farhadi is choreographing his stars rather than directing them. Sort by: janh24's rating of the film Fireworks Wednesday. Please enter your birth date to watch this video: You are not allowed to view this material at this time. Ratings & Reviews. A mildly intriguing look at marital life and strife told largely from an outside observer's perspective. Now we see his third, 2006's "Fireworks Wednesday" and if there is one thing we can take away from Farhadi's oeuvre, it is that marriage is a minefield. The main location in both films is the apartment of an upper-middle-class Tehrani couple, yet the characters include not only that couple but also one from the lower social echelons. Although the three films can’t be called a trilogy, in a sense they form a group. Roohi (Taraneh Alidoosti, "I Am Taraneh, I Am Fifteen Years Old") is a young girl about to be married. Farhadi also introduces a style that is cooler, more intricate and refined. Find helpful customer reviews and review ratings for Fireworks Wednesday [DVD] at Amazon.com. C lutter fills the mise-en-scène of Fireworks Wednesday like an unstated question pondering the fine line between a celebration and chaos. As he does to such masterful effect in “A Separation,” here he constructs a story that keeps revealing new thematic and psychological layers, ones that often come to light through the shifting of perspective from one character to another, a technique that deepens our sympathy for the people we’re watching to the point of our realizing that, as in Renoir, “everyone has their reasons.” And while a critique of Iranian society is certainly implied, the narrative complexity means that its exact meaning is left to the viewer. I loved this movie, but there's something to that. Fireworks Wednesday. A Separation may still be my favorite Farhadi movie but I'm not sure if I like this more or About Elly. The heart detonates with each one. By the end of the story’s first act, we’ve learned the reason for the marital meltdown. There’s a part of being the victim of infidelity that isn’t often discussed: the suspicion of infidelity. While the style in some moments recalls American filmmakers including Altman, Lumet and Kazan, its distinctiveness and eloquence ultimately testify to the gifts of Farhadi, one of the contemporary cinema’s most essential masters. Godfrey Cheshire is a film critic, journalist and filmmaker based in New York City. Few Iranian films have tried to realistically depict both the urban middle and lower classes, and fewer still with the complexity of story telling and depth of characterization in Asghar Farhadi’s impressive third feature, Fireworks Wednesday. By Michael Nazarewycz @ScribeHard on March 15, 2016. With the through-the-roof achievements of his penetrating marital drama “A Separation” in 2011, Asghar Farhadi leapt over several of his world-renowned countrymen to become the most internationally successful Iranian auteur yet. Check box if your review contains spoilers. The “Fireworks Wednesday” in question is the eve of the Persian New Year, and the film takes place over the course of that one long day. All in all, "Fireworks Wednesday" makes for a nice matinee offering but not a landmark work in the annals of filmmaking. In 2015 we got his fourth film, 2009's "About Elly." Review of Asghar Farhadi's Fireworks Wednesday. Asghar Farhadi's Fireworks Wednesday is, as would be expected, a beautiful, delicate and keenly observed film. Fri Mar 18, 2016 at 3:01pm ET Thu Mar 24, 2016 at 3:01 pm EDT By Ron Wilkinson . 26/4/2016 Comments . The film’s style exhibits a similar purposeful complexity. After a festival tour back in 2006 and a now-out-of-print DVD release, Asghar Farhadi’s Fireworks Wednesday has been theatrically re-released by the newly established Grasshopper Films. After capturing the Golden Bear at Berlin, the feature, Farhadi’s fifth, went on to rake in unprecedented earnings for an Iranian film as well as a stream of honors that culminated in its becoming the first Iranian film to win the Oscar for Best Foreign Language Film. ALL RIGHTS RESERVED. Fireworks Wednesday. Featuring a gripping plot that gets better as the story progresses, tightly structured screenplay, captivating performances from its cast & tight editing, the best thing about Fireworks Wednesday is the manner in which Farhadi has interwoven the whole film in layers which keeps challenging ours as well as its characters' assumptions throughout its runtime & eventually results in an emotionally draining … While he subsequently made a well-regarded drama set in France (“The Past,” 2013), U.S. viewers have recently been given the chance to see the two terrific films that preceded “A Separation”: “About Elly” (2009) was released last year, and “Fireworks Wednesday” (2006) arrives this week. Fireworks Wednesday could work just as well as a chamber play as a film, but Farhadi uses the medium to careful, cunning effects. Fireworks Wednesday Review. If you’re wondering why Asghar Farhadi’s acclaimed third feature, Fireworks Wednesday, hasn’t gotten an American release until now—ten years after its original release in Iran—the answer is unsurprising, if depressingly familiar: money. Reviews Fireworks Wednesday. The drama i… With “Fireworks Wednesday,” Farhadi turns his attention to the Iranian middle class and the strains within the marriages of people who are materially comfortable. Fireworks Wednesday is an honest and subtle and provocative film that takes a very simple and utterly believable story and lets a set of complicated issues weave in and through it effortlessly. Suspicion wreaks havoc on a woman's psyche in Asghar Farhadi's wonderful drama. Home » Review » Movie » Fireworks Wednesday. His films aren't about the abstract idea of romance. While the story is capably handled and deftly told, however, I must also admit that there's not a lot here that's especially innovative, masterful or captivating. His excellent 2009 film About Elly toured stateside arthouse theaters last year, and now his 2006 drama Fireworks Wednesday gets a … Combustible Celluloid Review - Fireworks Wednesday (2006), written by Asghar Farhadi, Mani Haghighi, directed by Asghar Farhadi, and with Hedye Tehrani, Taraneh … Farhadi’s first two features, “Dancer in the Dust” and “Beautiful City,” were more typical of Iranian films in their relatively conventional (if very assured) styles and especially in their focus on lower-class or marginal characters. Notable Video Game Releases: New and Upcoming. Using cinematographer Hossein Jafarian’s crisp images, Farhadi develops the mode of camerawork that would characterize his subsequent films, a technique that involves constant movement and reframing (especially in the apartment’s beautifully designed interiors) in order to follow the shifting of perspectives among characters as well as the story’s emotional twists. It is Fireworks Wednesday, a rowdy holiday that precedes the spring-equinox arrival of the Persian New Year (this year on March 20). Rouhi meets the family’s other servants, offering a look at the class divisions in Iranian society. Or is Mozhde, a woman hemmed in and perhaps unhinged by the restrictions and pressures Iranian society places on women, fantasizing the infidelity? It is the happiest of Persian holidays, an excuse for families to get together, an excuse to set bonfires in the streets and dance around them, and yet it has a controversial history in recent years, since it is a remnant of the Zoroastrian past. Review: ‘Fireworks Wednesday’ sheds light on earlier work of Oscar-winning filmmaker from Iran Hedieh Tehrani as Mojdeh n “Fireworks Wednesday.” (Grasshopper Film) While “About Elly” displays these qualities at their most expansive and dramatically charged, “Fireworks Wednesday” is inarguably the film that most resembles “A Separation” and lays the groundwork for its brilliance. But she suspects even this is a lie, and later will swipe Roohi’s chador to use as a disguise when she goes to spy on him—a provocation that ends with him beating her in the street. Soon after we meet the two, they’re riding his motorbike on a mountain road when her chador gets caught in a wheel, forcing them to an abrupt stop. Oscar-winning director Asghar Farhadi was never a stranger to family dysfunction, already exploring it in his 2006 “Fireworks Wednesday,” re-released 3/16. Superb movie, I definitely recommend it. [Farhadi and cowriter Mani Haghighi] prove to be stronger on atmosphere than on structure, aided by crisp, unnerving camerawork. This is a marvelous performance, layered, painful, heartfelt. Winner of the 2006 Gold Hugo at the Chicago International Film Festival. While “About Elly” displays these qualities at their most expansive and dramatically charged, “Fireworks Wednesday” is inarguably the film that most resembles “A Separation” and lays the groundwork for its brilliance. Fireworks Wednesday (2006) movie reviews & Metacritic score: On the last Wednesday before the spring solstice ushers in the Persian New Year, people set off fireworks following an ancient Zoroastrian tradition. It follows Roohi, a wide-eyed bride-to-be, as she gets an education on marital conflict and human complexity on the last day of the Iranian new year. When his wife, Mozhde (Hediyah Tehrani), comes in, the cause for this home’s disturbed appearance becomes evident: the couple’s marriage is rocking on its foundations. It’s more realistic, more pedestrian than that – which gives it a real ring of low-key emotional truth. But Farhadi is skilled in the careful subtleties and understated symbolic nuances developed by previous Iranian filmmakers, and he has a special weapon in his own arsenal: maximum complexity. Farhadi’s intrigue doesn’t feel like the stuff of a Hollywood thriller. Farhadi also creates interesting mini-dramas with the disappearance of Rouhi’s chador, or the reappearance of a lighter, and even Amir Ali hiding in the apartment. But is Morteza really being unfaithful, as various clues suggest? As Fireworks Wednesday builds to its quietly powerful conclusion, there is tension created as to what secrets and lies will be exposed, as well as if, how, and when. janh24 A very sophisticated melodrama. Sheila O'Malley of Slant Magazine praised the movie as well as Hedyeh Tehrani 's performance: " Hedyeh Tehrani, a delectable actress, plays Mozhde, the depressed wife. As romantic tensions escalate, so do the firecracker bursts. Asghar Farhadi's 2006 film interrogates the tensions between tactility and vision in complex ways. They show how relationships are shaped - and twisted - in the Islamic Republic of Iran, a theocratic, paternalistic state. As with all of Farhadi's films there's a frailty behind his characters, with their insecurities and moral dilemmas bubbling to the surface as the director slowly raises the temperature in this pressure cooker of domestic strife. Review: Asghar Farhadi’s ‘Fireworks Wednesday’ By Mae Abdulbaki on April 30, 2016 0 Comments Iranian filmmaker and Oscar winner Asghar Farhadi is one of … Fireworks Wednesday - Movie Review 'Fireworks Wednesday' is an Iranian film released in 2006. Also, its less-than-subtle metaphors grow a bit too obvious as the movie progresses. While the story is capably handled and deftly told, however, I must also admit that there's not a lot here that's especially innovative, masterful or captivating. “Fireworks Wednesday” may well be another Farhadi masterpiece. Though they laugh it off, the troublesome chador will recur in the film, essaying both symbolic and dramatic roles. It is about three relationships, two married and one to-be-married, and dealt with during the course of one day, the Persian New Years Day. The sometimes-melodramatic narrative, with its allusions to infidelity and relationship discord, may be daring by Iranian audience standards, but it's hardly the stuff of groundbreaking material in the world of cinema at large. Godfrey Cheshire is a film critic, journalist and filmmaker based in New York City. Scott Pilgrim vs. the World: The Game - Complete Edition, MXGP 2020 - The Official Motocross Videogame, Night Stalker: The Hunt for a Serial Killer. It proves to be not just interesting in how it foreshadows the filmmaker's more mature works, but also a gripping piece of storytelling in its own right. Fireworks Wednesday Critics Consensus Well-written and powerfully acted, Fireworks Wednesday gives audiences an early, assured glimpse of writer-director Asghar Farhadi's emerging talent. Ratings & Reviews. Given the wide interest the film excited, it’s hardly surprising that curiosity regarding Farhadi’s little-seen earlier work has grown since. Fireworks Wednesday tells this couple's story from the point of view of their new cleaning lady, Roohi (Taraneh Alidoosti). 1 0; Steve G.'s rating of the film Fireworks Wednesday. 104m. A contrived and convoluted plot … This question will be answered later in the film, but even before discovering the truth, the innocent, youthfully optimistic Roohi gets a chillingly disillusioning lesson regarding the harsh realities of marriage—at least among her elders and social betters. A mildly intriguing look at marital life and strife told largely from an outside observer's perspective. by Matt Levine. 'Fireworks Wednesday': EW review. Given this story’s implications as a social critique, it might seem surprising that it got past the ever-watchful censors of the Islamic Republic. Reviewed by: Jennie Kermode "Tehrani excels in playing a character whose aggression instantly makes her unlikeable, yet who, without ever letting down her guard, gradually reveals the … When she enters, Roohi finds the man of the house, Morteza (Hamid Farokhnezhad), talking agitatedly on the phone and waving a bandaged hand. Review: Fireworks Wednesday. After the overwhelming acclaim of A Separation and a mini-crossover with The Past, the early films of Iranian director Asghar Farhadi have started trickling into American arthouses. The. The same day she tries on her wedding gown, Roohi is assigned a job at an apartment in a ritzier district of Tehran. He has written for The New York Times, Variety, Film Comment, The Village Voice, Interview, Cineaste and other publications. Rouhi, spending her first day at a new job, finds herself in the midst of a different kind of fireworks — a domestic dispute between her new boss and his wife. (Ray Pride) “Fireworks Wednesday” opens Friday, April 29 at the Music Box. Husband and wife go at each other bitterly. You can feel the brain put into it, the attention to details, the strong storytelling, those flawless performances, gut wrenching and nerve-racking sequences. RECOMMENDED (Chahar Shanbeh Suri, 2006) Asghar Farhadi’s “Fireworks Wednesday,” which won the Golden Hugo at the Chicago International Film Festival, is straightforward yet mysterious in its depiction of daily life in contemporary Tehran, capturing in his third feature a glimpse of the little-seen (on these shores) urban middle class and its disparity with the less-well-off. He has written for, Spike Lee Receives American Cinematheque Award, America Has to Come to a Reckoning: Director Sam Pollard on MLK/FBI, The TV Homages of WandaVision are an Amusing, Unfulfilling Distraction. Read honest and unbiased product reviews from our users. Roohi (Taraneh Alidoosti) is a bright-eyed, young servant-for-hire who’s due to marry her boyfriend next week. She asks Roohi to make an appointment and gather information at the salon of the woman she suspects. Mozhde suspects her husband is carrying on an affair with an attractive divorcee named Simin (Pantea Bahram), who operates a beauty salon out of her apartment on their floor. With a bit of clever misdirection, “Fireworks Wednesday” introduces the poorer characters first. Indeed, while some may trace the problems evoked here to the impositions of a state that tries to impose religion by law, Iranian conservatives might deduce that this marriage’s problems come from the couple being too selfish, Westernized and removed from religion. This is a thoroughly engrossing and densely textured drama, showing Farhadi's cool skill in dissecting the Iranian middle classes and the unhappiness of marriage. As the slow-burning film—set over a single day–turns up the heat, the bang-bang sound of New Year’s firecrackers is a constant presence in the background. The critics have spoken, and what they've said is this: Do not see these... Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. You can feel the brain put into it, the attention to details, the strong storytelling, those flawless performances, gut wrenching and nerve-racking sequences. A Separation may still be my favorite Farhadi movie but I'm not sure if I like. © 2021 METACRITIC, A RED VENTURES COMPANY. No wonder the censors weren’t quick to pounce. (Because it dates from Zoroastrian times, Fireworks Wednesday is held in suspicion by Iran’s Islamic rulers; it has figured into other Iranian films, including Jafar Panahi’s “This Is Not a Film.”) Due to the celebration, fireworks are going off constantly outside, but if that makes Roohi’s snazzy place of employment sound like a war zone, it also looks like one: there’s a broken window, glass on the floor and furniture in wild disarray. On the day before their holiday trip to Dubai, a wife who believes her husband is unfaithful enlists the help of Roohi, a young woman sent by an agency to clean the house. Roohi is betrothed, innocent of marital discord. Fireworks Wednesday, another film from Iranian master Asghar Farhadi's backlog, is a stunning portrait of collapsed relationships and changing perspective. I could feel Kieslowski's spirit in the ending of the movie (it reminded my three colors blue) and of course you wouldn't be surprised to find out Asghar Farhadi likes Agatha Christie. He yells at her, “You’re so damned neurotic!” then storms out, supposedly headed for work. Fireworks Wednesday takes place during one or two days—the leadup to and culmination of Nowruz, the Persian New Year celebration. Eye For Film >> Movies >> Fireworks Wednesday (2006) Film Review Fireworks Wednesday. 8 / 10. July 09, 2015 22:23. 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